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Theatre Age kids pick up a patriotic theme. Theatre Arts’ presentation — Dhamake ke Baad. Safdar Hashmi, who, with his Jana Natya Manch, formed in 1973, led the movement of Indian street theatre, had once commented that, ‘If street theatre has any definition in India, it is the anti-imperialistic tradition of our people forged during the freedom movement. In other parts of the world, it is the peoples 'struggle for a just social and economic order’. It may have been the case once, with Hasmi himself and so many other radical groups like Ashish Chatterjee’s Theatre Unit and Prabir Datta’s Silhouette using this medium to lash out at the political turbulence the country witnessed in the 70s. But the genre, which is known as ‘theatre by the people and theatre for the people’ has changed over the years, especially so in City Beautiful.
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Yes, it is still being as a tool to raise one’s voices against the system, by local theatre activists, but more so to generate awareness against social maladies. When one talks of street theatre in the city, the first name that one takes is of Gursharan Singh, popularly known as Gursharan Bhaaji, who was a pioneer in advocating social change and civil rights for decades, through the years of militancy, braving threats to his life. The younger lot draws inspiration from him now.
True, that no life-threat looms over these activists anymore, but that does not mean that their life has become any easier. But driven by passion and inspired by the conviction they carry within themselves, they refuse to give in.
Here are a few groups who, despite all odds, have been able to make a difference, however, small that may be. Its founder Zulfikar Khan had little knowledge about Safdar Hasmi when he met him at the National School of Drama in 1990 but the impact came later when Zulfikar started his own group and started doing street plays in 1994. Ever since he has done 2,500 shows all over the region on topics like child labour, female foeticide, literacy, AIDS, drug abuse, the latest being excessive use of polythene in everyday life. “I cannot claim to have followed in Hashmi’s footsteps because he is huge, dedicated himself to the cause he believed in, in fact, gave his life for it. But once we did shows based on his Ahimsa Param Dharma, which we titled Himsha Param Dharma,” says Zulfikar. Among the most of his popular one is Shaq se Adat, which he and his troupe performed in the colonies of Chandigarh. “So many teenagers after watching it came forward to say that they wanted to give up drugs.
This kind of feedback restores faith in ourselves,” says Zulfikar. What about funds? “There are agencies like the North Zone Cultural Centre and Nasha Mukti Kendra which sponsors shows.
But then like anything sarkari, one has to wait for months for the release of the funds,” he replies. Well, what is a minor hiccup like this in front of passion.
Samvaad Theatre Group. As a street theatre activist, Mukesh Sharma has been around since 2003 but only recently did register his group.
Show like Dhara 294 based on eve teasing, Yeh Kaisi Bidai on female feoticide and about 30 shows on exercising one’s voting right has made him a prominent figure in the theatre circle. “I am not a trained artiste, but had enough experience from my participation in Ram Lilas,” says Mukesh. What made him chose street theatre? “As a medium it is more direct and one gets immediate reaction from the audience,” he replies.
But one has to pay the price for that. Mukesh, for the lack of sponsorships, has been shelling out money from his own pocket for most shows. “There are some government departments which sponsor shows, but it is a lengthy process and one needs to run around. Besides, each department sponsors only one group in a year. So, one has to wait for one’s turn to get funds,” he explains. City Entertainment Network. This eight-year-old theatre outfit is being run by Gaurav Sharma and his partner Sumer Singh.
Their shows on female feoticide, drugs and AIDS have been a common sight in the colonies of Chandigarh and Mohali. “It’s not the city people, but the slum people who need to be told about such social evils,” Gaurav says. They are ready to provide that but expect the Administartion to extend a helping hand in return. “We need help not just in the form of money but encouragement too. Like, if we try to perform at the Sector 17 Plaza, we would be asked to obtain permission from the Deputy Commissioner and when we would finally meet the man in authority, we would be told that it is the job of the MC. All that running around robs one of creativity,” says Gaurav. Theatre Art-Chandigarh.
Born in 2000 as the brainchild of Rajiv Mehta, this group has performed thousands of shows in and around the city. Acting, for Mehta, has always been a hobby and raising a voice against injustice, a passion. This is the reason he took up the Jessica Lal and Shivani murder case instead of the usual AIDS and female feoticide issues.
“As a theatre activist, I have been trying to follow Gursharan Singh’s ideology and trying to highlight a common’s man’s thoughts through our productions,” he says. Efforts have been made to bring a social order and the results have been positive. But these groups seemed to have failed in one area—getting the Administration interested in their endeavour. Maybe, it’s time to write a play highlighting the plight of theatre groups in the city. parbina@tribunemail. com.
In the heart of India lies this land of contrasting and vibrant handicrafts—Madhya Pradesh. Radiating an aura of skill, dexterity of craftsmanship and desire to create, this land calls for the best in inspiration when it comes to arts and craft. And in the process of learning the best of Indian handicraft, the students of NIIFT-Mohali went on a craft documentation trip to MP for 15 days. Back with first-hand knowledge, these students share their experiences and showcased what they learnt in a seminar at the institute on Monday. Students learnt the art of creating battobai dolls. They are almost extinct. Art of creation of mercury shivling was seen.
Mercury is in liquid form and involves difficult process of solidification. Students learnt the art of carpet weaving, one of the old crafts of MP. Bagh print leads India in the world. Students learnt this exquisite art of hand block printing. Another reason that he cites is, “The Indian craftsman is losing his identity in this tough global competition of fashion and we, at NIIFT, wanted the students to know how rich our crafts heritage was and above all, help uplift the crafts that were going extinct. ” Well, that was the basic idea of the trip, coming to the students and their learning process and creation, read to find more.
Quest for more. The group Sayyah-e-Fankaar visited Bhopal, Indore and Maheshwar.
And what they learnt was jute and bamboo variation, how to make stuffed leather toys and the creation of world famous Maheshwari sari. Ask these students on what is the end result and they chorus, “Being fashion design students we have learnt to make these things and now can mix and match the traditional into contemporary designs. ” What they showcased was interesting table mats in Bagh print, bag made out of maheshwari fabric, one piece garment from the maheshwari sari and jute cushion covers. Artistic allure. The group of seven students who formed the group Artistic Ecstacy visited Gwalior, Tikamgarh, Bhopal and Khajuraho.
And crafts they learnt—-carpet making, battobai dolls, papier mache, bell metal, wood and stone carving, banjara work and terracotta pottery. Ask them what was the best of all, and says Pragati Bhardwaj, “ Battobai dolls are no more made, learning how to make them and their significance in the world of art was great. ” Adds Nitika Raj, “These dolls were made during weddings and worshipped.
Lot of gota was used to create these dolls, after seeing how to make them we have included the gotta work in some of our dresses. ” Well what have they crafted after coming back and they say, “We’ve made candles with gotta, wall hangings in banjara work, neckpieces in traditional designs etc. Crafted for perfection. For Tatvaansh they learnt the delicacy and the artistry of weaving a Chanderi fabric, beedi rolling, woodcraft and stone carving.
Tells Sangeeta, “Since we know the basics of these crafts now, after coming back we have made western gowns, sherwanis, one piece haulter neck dress and suits from chanderi fabric. ” Calling it an experience of life she says, “Beedi rolling was one amazing thing and so was the art of wood work and stone carving. Here we saw craftsman transforming sheesham, teak, dhudi, sal and kikar into works of art and for stone carving its magic to see a craftsman chisel a sandstone into an artistic statue.
Lost and found. Having learnt by rote some of the great arts of MP, the group Lost hub of Handicrafts learnt the art of gond painting, making of mercury shivling, manufacturing of silk and wooden craft. Ask them about the crafts and they say, “Gond is a tribal art from that depicts the life of tribals and gods.
This art form is more popular in tribes of Madhya Pradesh. For Mercury shivling, Mukesh Vyas is the man who makes them, but does not share the exact procedure of making as it’s his USP,” says Harmanjot Gill. Talking about silk and wood craft she says, “ We saw how silk is made and wood carving. ” One fact that still amazes her is that from a single cocoon one can have 1000 mt of thread. That’s interesting.
And what is their end product, “We have made t-shirt with Gond Painting. jigyasachimra@tribunemail. com. With the latest buzz surrounding the new media player Zune, we talk to city geeks about trends in I-pods. Even before a product hits the market, it becomes the talk of the town. Thanks to gizmo freaks clued in for the latest updates in the technology sector.
Whether it’s the buzz about Microsoft’s Tegra-based Zune HD media player’s upcoming September launch or Shah Rukh’s penchant for state-of-the-art technology, tech lovers know it all. According to tech pundits, the new entrants in I-pods can turn the music scene forever. While others do not see anything out of this world in the new products coming up. About Zune, it is looked at as a flash-based industrial looking, first of a kind touch-screen. The HD badging comes from the inclusion of HD radio, making it the first portable media player to include HD radio that would offer songs and information with a far better sound quality than the traditional radio. It will feature multi-touch browsing, using a portable browser based on Internet explorer. “Any normal cell can support a 32GB memory,” says Sumit Khurana, a tech freak and avid blogger, writing on technology.
“The only expectation I would have from Zune would be a better sound quality, dependent on the quality of ear phones. The other good thing would be sourcing songs from anywhere, unlike Apple, which supports only itunes. Broadly, I think this would help Microsoft generate a separate revenue street.
As for the I-pods are concerned, people like to fall back on cell phones that serve more than one purpose. Says Anita Sahni, a software engineer who would rather go in for a cell phone equipped with all facilities than buy a separate I-pod. “There is no point going in for a product that serves only one purpose when you have a choice to chose from n number of other products that serve dual purposes. ” She adds, “Most phones these days serve as an I-pod, sometimes far better than it. Why would you then requite a separate gadget for it. Whether it is moving towards the third generation touch screen, or other new entrants of I- pod in the market, the market for cell phones, where a section is focusing primarily on the music scene, is still strong.
Value for money of course is one factor that makes mobile phones sought-after gadget even when it comes to music. According to Neeraj Saxena, an avid blogger and technology analyst, brings into the division in the market. “There is a group of music buffs who would go for I-pods and all versions no matter what, and then there are people who would rather buy a cell phone which has a music player, Internet and other features. So, the coming of any new product in the market will not change the existing market scene at large.
jasmine@tribunemail. com.
At this time when everyone is talking about the spiraling vegetable prices, let us see if we can produce our own vegetables. Yes, we can, even when we are living in high-rise buildings. With a little planning it can work. Thanks to media exposures, by now you all are sufficiently aware of the fact that fruits and vegetables are being ripened and coloured. This is besides the fact that water, full of harmful elements, is being used to irrigate vegetables other than the use of harmful chemicals to control insect, pests and diseases.
Under such circumstances, the biggest advantage of having your own kitchen garden is that you know what you are eating. Also, let us change the concept of kitchen garden from ‘just growing vegetables’ to growing vegetables safely and including a few medicinal plants too. The basic elements for establishing a kitchen garden are — sufficient light conditions and good quality soil. In the city, there may be corners in the house or due to the shading by some structure or the neighbouring building; there are those corners that have not seen the sun.
You can grow arbi, haldi, adrak etc at such places. Except for these few, almost all vegetables need plenty of sun. Soil is also very important factor.
If it is too thick (clay) then one should add and mix plenty of sand so that there is proper drainage. Even when you have to replace the problem soil, go ahead. Myth of the week. Problem of plenty.
As vegetables are short-duration crops, plenty of manure and fertilisers should be added to get more produce with good quality. No, be very careful about this aspect. Sure, vegetables are short duration crops and within a span of a few months they have to complete their life cycle that includes from the germination of seed to preparation of plant and giving fruits. The manure and fertilizer have to be according to the requirement. More of it may lead to the vegetative growth only with no flowering or fruiting. Even in the case of root crops like radish, turnip, carrot etc.
there may be forking or poor root quality, especially when the manure is also not well rotten. The manure and fertilizer requirements for each and every vegetable crop, whether it is summer or winter crop, have been worked out and should be added as such. For such a reference, you must keep a PAU publication, Package of Practices for Vegetable Crops. This bulletin has all the relevant information. Now-a-days, the fear of H1N1 is at the back of mind of everyone. The use of common medicinal plants is being advocated by those who believe in ancient systems (alternate) of medicines. There may be the argument that there is no clinical trial to support that these common medicinal plants can check it.
But then there is no harm using them when it is also well-known that such plants tone up the body immune system. That is what we need! Using tulsi or giloe etc will not cause any harm. One must include such plants in the kitchen garden as part of daily use item like pudina, dhania, mirch etc.